{"id":78360,"date":"2021-10-28T12:28:41","date_gmt":"2021-10-28T10:28:41","guid":{"rendered":"https:\/\/www.apartamentomagazine.com\/?p=78360"},"modified":"2025-09-25T16:23:02","modified_gmt":"2025-09-25T14:23:02","slug":"carlota-guerrero","status":"publish","type":"post","link":"https:\/\/www.apartamentomagazine.com\/stories\/carlota-guerrero\/","title":{"rendered":"Carlota Guerrero"},"content":{"rendered":" \t\t
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\n\t\t\t\tTo access this post, you must purchase Apartamento Membership<\/a><\/span>.\t\t <\/div>\n\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"\n
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\n\t\t\t\tTo access this post, you must purchase Apartamento Membership<\/a><\/span>.\t\t <\/div>\n<\/p><\/div>\n","protected":false},"author":6,"featured_media":83832,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[30],"tags":[75,22],"class_list":["post-78360","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interview","tag-art","tag-fashion","text_author-leti-sala","photo_author-coco-capitan","membership-content","access-restricted"],"acf":{"link_archive":false,"archive_story":null,"archive_bg":"#F5F4EE","archive_title_color":"#000000","cover_bg":"#F5F4EE","cover_title_color":"#ffffff","body_bg":"#ffffff","body_text_color":"#000000","body_captions_color":"#666666","related_bg":"#ffffff","related_text_color":"#000000","stories_bg":"#EDECEC","alternative_image":"","hover_image":"","credits":"Interview by Leti Sala\r\nPhotography by Coco Capit\u00e1n","title_format":"center","font_size":"big","image_format":"cover","hero_image_mobile":"","video":"","video_excerpt":"","video_format":"regular","content":[{"acf_fc_layout":"quote","quote":"","caption":"Apartamento x LOEWE"},{"acf_fc_layout":"text","text":"Apartamento and LOEWE are pleased to bring you TO CRAFT A LIFE, an editorial collaboration for Apartamento<\/em> magazine issue #28, featuring conversations that explore the lives of three Spanish artists, Ouka Leele, Carlota Guerrero, and Bik\u00f4k\u00f4, all captured in the intimacy of their homes by a fourth, Seville-born photographer Coco Capit\u00e1n. United by uncompromising artistic visions, all four women have at some point in their respective journeys embarked on the road less travelled, sidestepping conventional narratives to craft a life of their own. <\/strong>With a shared desire to celebrate today\u2019s craftsmanship, we\u2019ve come together from our respective homes in Barcelona and Madrid to tell the stories of artists mastering their own crafts.<\/strong>"},{"acf_fc_layout":"images","container_size":"full","gallery":[69342]},{"acf_fc_layout":"two_blocks","block_sizes":"half_40_60","content_type_left":"credits","image_size_left":"regular","image_left":null,"video_left_url":"","video_caption_left":"","video_left_type":false,"text_left":"","credit_image":83323,"credit_link_left":"","content_type_right":"text","image_size_right":"regular","image_right":null,"video_right_url":"","video_caption_right":"","video_right_type":false,"text_right":"

I met Carlota when I was 15, in the bathroom of a house party the police would shut down a little while later. I was carrying a wicker bag that only contained an XL hair spray and a comb for maintaining the exaggerated volume I wanted in my hair. This seemed fascinating to Carlota, and she spent a long moment analysing the image. Later we kept meeting on the internet and in the clubs of the moment, until little by little our bars ended up being the same. We could spend whole afternoons lying in parks, assimilating the cells of the other. We lived in the superabundance of time. <\/span><\/p>\r\n

It\u2019s almost impossible not to recall her life by way of milestones. I remember her first photo exhibition at a small gallery in Raval. The night in Mallorca when she told us she was thinking of leaving her job to dedicate herself to photography. The messages from Texas that kept us updated on her first shoot with Solange. Or one of us sending a photo to our group chat of the cover of the New York Post<\/i> with the orgy she\u2019d organised at Miami Basel. Deep in the Covid era, Carlota\u2019s images seem chimerical. The strength they\u2019ve gained from this new reality couldn\u2019t have been foreseen. Dozens of people together, in a state of trance, giving themselves to her lens. Ultimately, her work is a precise visual reflection of the way she is from day to day. And there\u2019s an enigma to Carlota that I can\u2019t seem to figure out. Despite having grown up by her side and posed for her camera, I\u2019m not able to grasp the source of her innate ability to bring together however many people are needed, with everyone pulsating on the same frequency. There\u2019s something magnetic about her appearance that recalls so many animals at once, her way of articulating concepts, her excess and generosity when it comes to sensing everything. I suppose it\u2019s precisely this enigma that means I never tire of asking her questions.<\/span><\/p>"},{"acf_fc_layout":"images","container_size":"full","gallery":[69343]},{"acf_fc_layout":"interview","interview":[{"question":"

How much importance do you give to the light where you live? <\/b><\/span><\/p>","answer":"

The house I had before was much more impressive than this one. It had amazing windows but hardly any light, and that brought me down a lot. This apartment is much more modest, much smaller, but it has the most beautiful light in the world. All the plants died in my other place, but here when I eat fruit I can plant the seeds and watch new ones sprout.<\/span><\/p>"},{"question":"

What is your relationship to objects?<\/b><\/span><\/p>","answer":"

I have no attachment to the material. I like my house to be comfortable and pleasant, to have good energy, but I don\u2019t spend money on designer objects. We found half the furniture on the street, or got things on Wallapop out of necessity, or people have given us things. I do have some objects that are more like amulets, with their own charge of spiritual energy, but I\u2019ve usually found them in markets as well, or there might be a painting by a friend, or the fruit of my own work. <\/span><\/p>"},{"question":"

Describe for me a normal day in your life here.<\/b><\/span><\/p>","answer":"

I see the sun rise from my room and can watch the mountain as it lights up. I have a calm breakfast, go down to the park, get my car, and drive along the Ronda de Dalt to Hospitalet with classical music from Catalan National Radio at full blast. I drive fast along the ring roads. At that time nobody\u2019s going the same way. I plan my day in the car, which ideas I\u2019m going to work with. I take a lot of inspiration from that stretch. I get to the studio, work, dance a bit, then I usually come home for lunch and spend the rest of the day here. <\/span><\/p>"}]},{"acf_fc_layout":"image","image_size":"regular","gallery":[69345]},{"acf_fc_layout":"images","container_size":"container-fluid","gallery":[69336]},{"acf_fc_layout":"interview","interview":[{"question":"

Tell me about the studio in relation to your home.<\/b><\/span><\/p>","answer":"

They\u2019re very different from each other. This apartment is miniature, it\u2019s almost like a maquette. The ceilings are low, it\u2019s focused on the details, all the objects are small. The studio is an enormous space, with three floors that are completely open and absolutely nothing there. When my family came from Andalusia, they all lived and worked in Hospitalet. I\u2019ve picked up where they left off. I really like going to an industrial area and then coming back to a more family-oriented area.<\/span><\/p>"},{"question":"

Your work revolves almost entirely around the feminine, and you decided to name the studio after your father: Estudio Wenceslao. There seems to be something rather poetic in that decision.<\/b><\/span><\/p>","answer":"

Yes, in a way my home is my mother and the studio is my father. My home is like a mother that hugs me, full of little plants and small altars, and the other space is like going to paint on a giant canvas. This is a place for rest and introspection, the other is a space for total play.<\/span><\/p>"},{"question":"

A good balance.<\/b><\/span><\/p>","answer":"

Yes, but I\u2019ve always thought that I\u2019m able to do the work that I do with women because my father isn\u2019t alive anymore. For a while I felt like my work was driven by the freedom that his death gave me. I grew up with the absence of any kind of suffocating masculinity. Naming that space after him is a way of giving him a space as well. The day that I shared it and got home that night, my sister called to tell me it was my father\u2019s birthday. It was like a present for him.<\/span><\/p>"},{"question":"

It would\u2019ve made a lot of sense for your career if you\u2019d moved to a city like New York or LA, but you\u2019ve always preferred to stay in Barcelona. How come?<\/b><\/span><\/p>","answer":"

I feel like my ambition isn\u2019t the same as the ambition of cities like New York or Los Angeles. That anxious, capitalist drive doesn\u2019t inspire me at all. I\u2019m so nervous and unsettled that I need a peaceful space; I don\u2019t need more stimuli. My head is already New York. <\/span><\/p>"}]},{"acf_fc_layout":"image","image_size":"regular","gallery":[69340]},{"acf_fc_layout":"interview","interview":[{"question":"

Would you be able to locate the ideas that you\u2019ve had in a specific space or site? <\/b><\/span><\/p>","answer":"

Not at all. I never know the year or month in which things have happened. I only contextualise my ideas in my emotions, inside my own body. I feel certain that this image has to be translated into a shot, and I won\u2019t rest until I get it. I thank God that I still have the innocence to believe in my ideas. In truth, I\u2019m afraid to start losing that with age, as you become more sensible.<\/span><\/p>"},{"question":"

Speaking of space, I can\u2019t help but think of time. I realise I don\u2019t see your creations as being imbued with nostalgia, but there\u2019s no futurism either. I feel like they\u2019re ethereal, floating in some other place than time.<\/b><\/span><\/p>","answer":"

I always intend for my images to be as atemporal as possible. I don\u2019t want to add layers of complexity to the people I\u2019m photographing. I\u2019m interested in the essence; I want to go to the heart of the matter. If I add layers of meaning, the other will have to decipher a context that doesn\u2019t interest me at all. That\u2019s why I argue with stylists. I started doing fashion, but in reality I want to make human portraits, feminine portraits.<\/span><\/p>"},{"question":"

Do you often think about the future of your career, the long term?<\/b><\/span><\/p>","answer":"

No, not at all. I feel sure that I\u2019ll be doing what I\u2019m doing for the rest of my life, although it wouldn\u2019t scare me if that changed. I\u2019m open to becoming a gardener.<\/span><\/p>"}]},{"acf_fc_layout":"quote","quote":"\u2018I\u2019m much more at peace. I feel more certain that I\u2019m doing what I have to do. That certainty is expanding, and it\u2019s never been better expressed\u2019.","caption":""},{"acf_fc_layout":"images","container_size":"full","gallery":[69341]},{"acf_fc_layout":"interview","interview":[{"question":"

What is your relationship to money? <\/b><\/span><\/p>","answer":"

It\u2019s like it has nothing to do with me. I think it was Lola Flores who said, \u2018Money burns in my hands\u2019. I\u2019ve inherited that from my father: money has to be spent. In reality I\u2019m starting to save for the first time in my life, at the age of 31. But whenever I\u2019ve made money, I\u2019ve always had to spend it as quickly as possible because it\u2019s an object that doesn\u2019t sit well with me. <\/span><\/p>"},{"question":"

Do you like your images to be grounded in theoretical concepts, or would you rather they stand on their own while offering a broad meaning to those who look at them?<\/b><\/span><\/p>","answer":"

Completely the second. There are times when I have an idea and feel the need to research it and understand the references. Other times I feel the idea has so much visual force that it doesn\u2019t even need half a concept because it just is, and that\u2019s all. <\/span><\/p>"},{"question":"

Maybe it\u2019s because of your detachment from the material that you work better in the abstract.<\/b><\/span><\/p>","answer":"

For me it has a lot to do with visual language being a language in itself. Beauty, for me, has a depth that isn\u2019t at all superficial. Images aren\u2019t empty just because they don\u2019t have a concept. <\/span><\/p>"},{"question":"

I understand.<\/b><\/span><\/p>","answer":"

I think a lot about flowers, about God creating them, about fractals, repetition, patterns. Images can have extreme complexity, just like an orchid, which doesn\u2019t have any other concept beyond itself.<\/span><\/p>"}]},{"acf_fc_layout":"video_autoplay","image_size":"regular","video_url":"https:\/\/vz-a6a6cda4-492.b-cdn.net\/6bb8c59a-6296-46b3-b0ca-7be8b45eb74f\/play_720p.mp4","video_caption":"Tengo un Drag\u00f3n dentro del Coraz\u00f3n, Prestel (2021)"},{"acf_fc_layout":"interview","interview":[{"question":"

For you, what are the big milestones in your career?<\/b><\/span><\/p>","answer":"

Publishing my first book was really big. The public orgy I organised at Miami Basel with 40 people. I was so impressed by the idea becoming a reality that I definitely had to keep myself together. The intensity of the sex of all those people, and me with a baton trying to guide it. It made me wonder whether I might actually be more conservative than I thought! What I did for Playboy<\/i> on Las Ramblas was also a big moment. Normally, anything that involves a live audience makes me feel more fulfilled, so Covid means that I\u2019ve come to a bit of a standstill. I\u2019m much more interested in the real moment than the image. <\/span><\/p>"},{"question":"

I feel like you don\u2019t only strip the people you photograph of a dress code, but also the factor of time, objects, concrete spaces. After stripping so much away, what do you think is left?<\/b><\/span><\/p>","answer":"

My feminine, creative essence. The same strength that I\u2019ll use to create a baby one day is what moves me to create these images. It\u2019s also my hyper-sensitivity. I\u2019m so sensitive, and I get so emotional with beauty that I need to do something with that energy. Sometimes I can\u2019t believe the normality with which some people go through life.<\/span><\/p>"}]},{"acf_fc_layout":"two_blocks","block_sizes":"half_50_50","content_type_left":"image","image_size_left":"regular","image_left":69359,"video_left_url":"","video_caption_left":"","video_left_type":false,"text_left":"","credit_image":null,"credit_link_left":null,"content_type_right":"image","image_size_right":"regular","image_right":69357,"video_right_url":"","video_caption_right":"","video_right_type":false,"text_right":""},{"acf_fc_layout":"two_blocks","block_sizes":"half_50_50","content_type_left":"image","image_size_left":"regular","image_left":69355,"video_left_url":"","video_caption_left":"","video_left_type":false,"text_left":"","credit_image":null,"credit_link_left":null,"content_type_right":"image","image_size_right":"regular","image_right":69354,"video_right_url":"","video_caption_right":"","video_right_type":false,"text_right":""},{"acf_fc_layout":"interview","interview":[{"question":"

How do you manage to make a group that\u2019s entirely nude feel so comfortable?<\/b><\/span><\/p>","answer":"

I think it\u2019s because if we see another woman calmly undress, and that body has its unexpected twists, and we still see them as beautiful, it creates a feeling that our own body probably is too.<\/span><\/p>"},{"question":"

Do you remember ever having felt shame?<\/b><\/span><\/p>","answer":"

The same image always comes to mind: I remember sitting behind my desk at school, fantasising about standing up and taking all my clothes off, running around the class and jumping up on the teacher\u2019s desk. With that in mind, I completely lost track of the class. Later on, a horrible feeling of guilt came over me. <\/span><\/p>"}]},{"acf_fc_layout":"image","image_size":"regular","gallery":[69374]},{"acf_fc_layout":"interview","interview":[{"question":"

So the sense of shame was the sense of guilt.<\/b><\/span><\/p>","answer":"

Exactly. Things really clicked for me in my 20s, when I could finally actually do that\u2014run into the Mediterranean completely naked. I felt like I\u2019d finally killed the priest, I\u2019d killed the father, I\u2019d killed them all, and now I\u2019d found my place.<\/span><\/p>"},{"question":"

One of the main messages that your work expresses is vulnerability as strength, and I\u2019ve always wondered where your obsession with this idea comes from.<\/b><\/span><\/p>","answer":"

I think I experience the matrix as something so corrupt that I need to create harmonious spaces with maximum peace. But, in fact, I\u2019m a pure fighter. That\u2019s why I had to start representing sexualised women as well, because it felt like a strange hypocrisy to only represent virginal women. Oddly enough, I\u2019ve also found vulnerability in sexualised women. So in the end I come back to the same place.<\/span><\/p>"},{"question":"

Do you have an idea of what you\u2019d like to explore next?<\/b><\/span><\/p>","answer":"

I\u2019m very confused by the pandemic. But the confusion is interesting, because having a new space is also bringing me to less explored places. I feel like a preadolescent again. Now I\u2019m going to Mexico and will nourish myself with whatever the country offers me. It\u2019s not very clear, to be honest, but I\u2019m not worried. Not knowing is rather exciting.<\/span><\/p>"},{"question":"If you look back at the past six years in your life and career, what do you think has changed?","answer":"

I\u2019m much more at peace. I feel more certain that I\u2019m doing what I have to do. That certainty is expanding, and it\u2019s never been better expressed, as I have a physical space now. I never stop being thankful that I can dedicate myself to my vocation. But now I\u2019m thankful from a point of view of being able to take advantage of it, not sabotaging it; I can take what life has given me and run with it as best I can. <\/span><\/p>"}]},{"acf_fc_layout":"images","container_size":"full","gallery":[69344]}],"related_text":"","issue":"","button_text":""},"yoast_head":"\nInterview with Carlota Guerrero x LOEWE<\/title>\n<meta name=\"description\" content=\"Apartamento and LOEWE are pleased to bring you TO CRAFT A LIFE, an editorial collaboration for Apartamento magazine issue #28, featuring conversations that explore the lives of three Spanish artists, Ouka Leele, Carlota Guerrero, and Bik\u00f4k\u00f4, all captured in the intimacy of their homes by a fourth, Seville-born photographer Coco Capit\u00e1n.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.apartamentomagazine.com\/stories\/carlota-guerrero\/\" \/>\n<meta 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